It's not indigenous to these parts, but I'm an indigenous dude and the book, about Northern Ireland from about 1850 to the beginning of the Easter Rising in 1916, has some relevance to struggles for freedom the world over. Uris has written a brilliant work of historical fiction that had me laughing, crying, indignant, heartbroken yet hopeful, and using more adjectives than I ever thought I would.
Trinity follows the lives of several Irish families, most notably the lives of Conor Larkin and Seamus O'Neill, a couple of poor Catholic "croppies" from a small town in the province of Ulster. Other people are better at summarizing themes and plots so I will focus on what most resonated with me and the similarities with indigenous struggles for freedom here in the Americas.
The most obvious similarity is the colonial experience at the hands of the English, for the Irish beginning over 800 years ago. And there (at least in Ulster) as here, the English never really left, so both peoples experience an ongoing occupation. Uris also takes us into the corporate offices and dining halls of the English nobility and their loyalist collaborators. Interestingly, his rendition juxtaposes their humanity with the utterly dehumanizing way in which the Irish are regarded and treated. This has long been a complex theme in oppressive/abusive relationships and a challenge for would-be liberators, that is for them not to lose their humanity in trying to save it.
My good friend, "Chii-a-is" guffawed at my recent captivation with the Irish, stating that it was the Scottish that actually defeated the British. I'm not here to get into that debate, but I have to concur that along with my love of opera, tragic women, and the writings of people like Galeano and Zinn, all of these stories resonate with an aspirant indigenous rebel dreaming of the impossible. 800 years of struggle. 500 years of struggle. A lifetime of struggle.
Uris also touches on the seemingly endless frustrations that come with any desire to organize people to fight for freedom and justice. There are the ubiquitous "people", whose miseries get appropriated by everyone, the vanguard-like liberators, the militants, the intellectuals, the artists, and the collaborators. One can draw many parallels. I like how the fictional character Long Dan Sweeney puts it, "I hope you're not in a hurry...the true revolutionary is patient...and remember what I said about informants."
The book is over 700 pages long and is rich and complex and hard to put down, but I wish to touch on one more element. Conor (our hero) is confronted several times with love; being a revolutionary and falling in love. "Che" Guevara alluded to romanticism and love several times, but it's a tough go all around. At times it seems one cannot be truly committed to the cause (meaning different things for different people) and sustain a loving relationship at the same time and yet, one cannot imagine anything else worth fighting for. Ah, I do love paradox as well. In the story, there is a moment that Conor is perfectly willing to give it all up for the love of a young Protestant woman...I won't spoil it for you. I've found several copies in used bookstores. Go forth, young rebels and be inspired.
From the western shores of Occupied Canada
Dubya
P.S. I was also inspired to look up some cool Irish Rebel Music tunes by groups like the Wolfe Tones and Eire Og. Good fun!
Wednesday, July 04, 2007
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2 comments:
Thanks for your book review I found it very useful.
I have now ordered Trinity and am looking forward to reading it. The character Conor Larkin I believe is named after Jim Larkin whose statue stands outside the GPO on O’Connell St in Dublin. Underneath the statue are the words of a french revolutionary Larkin liked to quote, "The great appear great because we are on our knees... LET US RISE".
Thanks again
A Hill
PS What was your friend talking about ALL of Scotland is still part of the UK!?
A Hill
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