Sunday, December 03, 2006

Film Review: Kanesatake: 270 Years of Resistance

another assignment, this one for English 395:

When the “Oka Crisis” came to national attention on July 11th, 1990, I was 17 years old. I distinctly remember an overwhelming desire to grab my father’s old 30-30 rifle and jump on a bus to join my brothers and sisters in arms. Admittedly, I was not very politicized at the time and not particularly strong in my indigenous identity either, but like my good friend Terry likes to say, “I was born at Oka.” 16 years later, and Alanis Obomsawin’s documentary film, Kanesatake: 270 Years of Resistance still manages to evoke a powerful, visceral response. The dispute over the Pines at Kanesatake encouraged crisis solidarity unseen since the 1969 White Paper and created significant political space, resulting in the Royal Commission on Aboriginal Peoples and in British Columbia, a billion dollar treaty process.

The actions of the Mohawks also inspired a new generation of warriors and radical indigenous political thinkers. Obomsawin’s imagery and narrative inspire indigenous people to stand up and fight and non-indigenous people to question not only their governments but also the very nature of the country they live in. We are presented with jarring visual juxtapositions: familiar moments of humanity and family, against the cold, unfeeling apparatus of the state. While the David and Goliath nature of the struggle is not lost on the viewers, Obomsawin also manages to contrast the very tangible humanity of the indigenous protesters with the inhumanity of the state law enforcement, military and political institutions. The death of Corporal Lemay and the occasional interaction with various Canadian soldiers are brief exceptions, but the overwhelming impression presented is that of reasonable indigenous families compelled to act and an unreasonable, draconian, and faceless state.

Despite the truth-telling nature of documentary filmmaking, and the even-handed impression enhanced by Obomsawin’s calm, unassuming narrative, this is not an objective piece of work. She is clearly telling the story from the point of view of the Mohawks and it is a story that needs to be told. Ironically perhaps, the Oka Crisis occurred around the same time as the first Gulf War, which ushered in a new era of information warfare and media manipulation. Films like Kanesatake: 270 Years of Resistance are more important than ever, in preserving the point of view of the oppressed, and providing inspiration for anyone who desires peace, dignity and justice.

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